Selected other writing:

“The High and Lonesome Art of John Cohen and Roscoe Holcomb,” Southern Cultures (November 2020)

“The Birth and Death of Pylon, America’s Best Rock Band,” Slate (July 8, 2020)

“Signs of Return: Photography as History in the US South,” Southern Cultures (Spring 2019), 12-41  

“Myth and Motion: Photography at the End of the Jim Crow Era,” forthcoming in Greg Harris and Sarah Kennel, eds., Photography and the American South since 1850 (New York: Aperture, 2023): The catalog for an exhibition that is the first major survey of Southern photography in 25 years and will open at the High Museum of Art in Atlanta in the Fall of 2023 and travel to the Virginia Museum of Fine Arts in Fall 2024, Aperture will publish the catalog in Fall 2023

“Monumental Lies,” forthcoming in the catalog for MONUMENTS, an exhibition curated by LAXART director Hamza Walker and artist Kara Walker and opening in Fall 2024 at the Museum of Contemporary Art in Los Angeles

Records of Light: A review of “Called to the Camera: Black American Studio Photographers” at the New Orleans Museum of Art and “The Photographs of Ralph Eugene Meatyard” at the Ogden Museum of Southern Art,” (November 2022)

“Seeing the Athens Scene: Photography and Alternative Culture,” in Jeffery Richmond-Moll, ed., Reckonings and Reconstructions: Southern Photography from the Do Good Fund (Athens: University of Georgia Press, 2022)

"An Uncommon Arrangement: A review of ‘Picturing the South: 25 years,’Southern Cultures (January 2022) 

“The Dirt: A review of ‘The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse,” Southern Cultures (December 2021)

“Take Me to the River: Dave Woody’s Pilgrimage to the James,” Southern Cultures (April 2021)