“Monuments,” a review of an exhibition at The Geffen Contemporary at the Museum of Contemporary Art and The Brick, Los Angeles, Southern Cultures, October 24, 2025,
“Monumental Lies,” forthcoming in the catalog for MONUMENTS, published by Aperture in Winter 2026
“Sweetheart Nights,” an essay about Bill Yates 1970s photographs of working-class kids and young adults at a rural southern roller-skating rink, to be published in a new edition of Bill Yates’ book Sweetheart Roller Skating Rink (Fall Line Press, forthcoming in2026)
“They Don’t Own Us,” an essay on a photograph from the 1973-1974 Brookside coal mine strike in Harlan County, Kentucky and the American working class in the 1970s for American History in 15 Photographs (Bloomsbury Press, forthcoming in 2025)
“Dawoud Bey’s Meditations on History and Vision,” review of his show at the VMFA and the accompanying catalog Dawoud Bey: Elegy(New York: Aperture, 2023), Southern Cultures (January 2024)
“Myth and Motion: Photography at the End of the Jim Crow Era,” Greg Harris and Sarah Kennel, eds., A Long Arc: Photography and the American South since 1845 (New York: Aperture, 2023), the catalog for an exhibition that is the first major survey of Southern photography in 25 years and will open at the High Museum of Art in Atlanta in the fall of 2023 and travel to the Virginia Museum of Fine Arts in fall 2024
“Sally Mann’s Immediate Family,” in Ariella Aisha Azoulay, Wendy Ewald, Susan Meiselas, Leigh Raiford, and Laura Wexler, Collaboration: A Potential History of Photography (New York: Thames and Hudson, 2023)
“Records of Light: A review of “Called to the Camera: Black American Studio Photographers” at the New Orleans Museum of Art and “The Photographs of Ralph Eugene Meatyard” at the Ogden Museum of Southern Art,” Southern Cultures (November 2022)
“Seeing the Athens Scene: Photography and Alternative Culture,” in Jeffery Richmond-Moll, ed., Reckonings and Reconstructions: Southern Photography from the Do Good Fund (Athens: University of Georgia Press, 2022)
“An Uncommon Arrangement,” a review of “Picturing the South: 25 years,” at the High Museum of Art, Atlanta, Southern Cultures (January 2022)
“The Dirt,” a review of “The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse,” at the Virginia Museum of Fine Arts, Southern Cultures (December 2021)
"The Beauty of History: A review of Saidiya Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval (New York: Norton, 2020)," American Book Review 42:2 (Jan/Feb 2021): 5-6
“Myth and Motion: Photography at the End of the Jim Crow Era,” forthcoming in Greg Harris and Sarah Kennel, eds., Photography and the American South since 1850 (New York: Aperture, 2023): The catalog for an exhibition that is the first major survey of Southern photography in 25 years and will open at the High Museum of Art in Atlanta in the Fall of 2023 and travel to the Virginia Museum of Fine Arts in Fall 2024, Aperture will publish the catalog in Fall 2023
“Monumental Lies,” forthcoming in the catalog for MONUMENTS, an exhibition curated by LAXART director Hamza Walker and artist Kara Walker and opening in Fall 2024 at the Museum of Contemporary Art in Los Angeles
“Records of Light: A review of “Called to the Camera: Black American Studio Photographers” at the New Orleans Museum of Art and “The Photographs of Ralph Eugene Meatyard” at the Ogden Museum of Southern Art,” (November 2022)
“Seeing the Athens Scene: Photography and Alternative Culture,” in Jeffery Richmond-Moll, ed., Reckonings and Reconstructions: Southern Photography from the Do Good Fund (Athens: University of Georgia Press, 2022)